Analysis of a Film Opening Scene

Analysis of the opening scene of 'Jaws'

The opening scene of Jaws is set years before the rest of the film, when the protagonist is only a boy. It is used as an example of the danger of shark's as well as explaining the man's fear of them.

• The first nine shots of the opening scene are all establishing long shots, which effectively introduces the beach setting. Pathetic fallacy is used effectively, as the dark clouds forecast tragedy ahead. The long shots and extensive use of pans create a feeling of isolation.
• Chrissie is presented as outgoing through dialogue such as 'Come on!', However, as she undresses, the audience sense her vulnerability.
• Jaws is most famous, perhaps, for it's bone-chilling music. The slow increase of tempo increases tension dramatically, without the audience even noticing it. The audience are lulled into a false sense of security by the peaceful sea and the gentle lapping of the waves. 
• The underwater shots provide the audience with a POV shot from the perspective of the shark. This invokes intrigue within the audience who are unaware of Chrissie's danger.
• The fact that the shark is not pictured in the scene, increases the tension. The audience fears the unknown and the enigma of the shark is infinitely more frightening than any special effects.
• Throughout the opening scene, the director cross-cuts between the protagonist (whose name is currently unknown) and 'Chrissie'. The juxtaposition created by the cross-cut is extremely successful in highlighting both the danger to 'Chrissie' and the oblivious nature of the boy:

1. The sound transforms suddenly from screaming and tense music, to absolute silence, save the gentle hush of the waves.
2. The violent movements of Chrissie are in extreme contrast to the boy's relaxed pose, as he enjoys the sunset.
3. The representation of the sea also differs greatly; as it is presented both violently and peacefully.